Documents Similar To Recitations Stockhausen – Stimmung (Full Score, Original Version – ‘Work No 24’). Uploaded by. Yz’hak Álamo. Sheet Music – £ – Georges Aperghis – Recitations Op. 46 – voice solo. Georges Aperghis is a Greek composer working primarily in the field of experimental musical UbuWeb Sound Poetry: George Aperghis featuring Récitations for solo voice ; Excerpts from sound archives of Aperghis’s works.
|Published (Last):||15 September 2013|
|PDF File Size:||9.20 Mb|
|ePub File Size:||9.43 Mb|
|Price:||Free* [*Free Regsitration Required]|
Tabbed Event Search All.
Sign up for our newsletters Subscribe. Smatterings of French words are strewn throughout Recitationsbut most of the sounds are abstract—jarring coughs, mutterings, swoops, and cries that sound like the ranting of a madwoman.
Sound: Georges Aperghis’ ‘Récitations’ | THE VOICE IS A LANGUAGE
It’s quite a ride. To find out more, including recitatiosn to control cookies, see here: Subscribe to this thread:. Just listening to the work makes plain how difficult it is to perform, but I think it’s also instructive to take a gander at the sheet music.
The proposed law would make it legal for adults to possess, purchase, and grow weed and would regulate and tax the drug statewide.
Into the Spider-Verse Spider-Man: Right Part, vertical version http: Fill in your details below or click an icon to log in: By Michael Miner Born in Greece and now based in Paris, his prolific output includes pieces for orchestras, chamber music, and solo.
You are commenting using your WordPress. Trying to make sentences and small groups of words bend to arbitrary rules and structures recalls the formal language games played by the lettristes, Jacques Roubaud and Georges Perec.
This utilisation of repetition introduces the concept of accumulative processes which can be observed in later works such as Conversations , Enumerations  H . Seesaw and Teeter-totterwhich feature pairs of instruments. By Deanna Isaacs Seuss’ The Grinch Fantastic Beasts: Jazz Latin New Age.
This is not an easy work to absorb, especially without a score or a guide to Aperghis ‘ avant-garde methods, and listeners may find that the music sounds like a free-form vocal improvisation that has no rules. Agglomeration of high notes are interrupted with coughs, mutters, and stray words seemingly spoken out of turn. More by Peter Margasak. Notify me of new comments via email.
Luca Guadagnino’s remake takes too much pleasure in the destruction of women. The latter is more visceral and unsettling, but not by much. Automatic repetition puts all meaning to flight and is rendered more poetic by the sight of the schoolchild reciting by heart she falters, she catches up, falters again.
Sound: Georges Aperghis’ ‘Récitations’
By Brianna Wellen A new book exposes the perfidy of their sons’ wives. Below you can listen to ” Seesaw ,” where the various pairings engage in what Aperghis calls “mirror-play,” shaping simple patterns and phrases and scrabbling around within those parameters.
Leave a Reply Cancel reply Enter your comment here The centerpiece of Saturday night’s ICE program is a brand-new composition called Shot in the Darkwhich Aperghis wrote specifically for the ensemble—it just got its world premiere last night at New York’s Miller Theatre.
Contretemps ’06 showcases his fascination with the female voice: But I would like to draw attention to the mind-boggling Recitations ’78an epic solo work for female voice that makes crazy demands on the performer. You are commenting using your Facebook account.